Home Contents Directory About
Biography

Billy Strayhorn

William Thomas Strayhorn

Composer, Pianist, Arranger

(1915 - 1967)

The colored dots show the fastest links (How?)

Home or Tribute Pages:

 
billystrayhorn.com
 

Biographies:

 
DownBeat.com
PBS - JAZZ
AllMusic.com
InfoPlease.com
Wikipedia.org
JazzReview.com
bbc.co.uk
 

Reviews:

 
Biography at allaboutjazz.com
Film at neh.gov
 

Other:

 
New film at imdb.com
Films at imdb.com
 
Billy Strayhorn was privileged to enjoy a classical musical education despite his disadvantaged childhood. While still in high school he wrote a revue that became a full-blown touring production starring the yet unknown Billy Eckstine.

In 1938 Strayhorn met Duke Ellington who immediately hired him. The following year they recorded their first collaboration, “Something to Live For,” with Strayhorn on piano. In 1941, following Duke’s written subway directions to his house, Strayhorn composed and wrote the lyrics to “Take the A Train” which became the band’s theme song. He worked as arranger, composer and second pianist for Ellington until his death, which left Ellington devastated. Their telepathic relationship makes it difficult to decipher where one begins and the other ends in their collaborations. “Swee’ Pea,” as Ellington called him, thrived in the Duke’s shadow where he found the security to vent his musical gifts and cultivate his artistic interests.

While still in his teens Strayhorn composed “Lush Life,” a sophisticated work with mature, world-weary lyrics. He played it for friends but did not publish it until 1949. Among Strayhorn’s other gems are “Chelsea Bridge” (1941), “Rain Check” (1942), “A Flower Is a Lovesome Thing” (1944), and “Lotus Blossom” (1947). His collaborations with Ellington produced “Day Dream” (1941), “Something to Live For” (1939), “Satin Doll” (1958) and many larger works.

Strayhorn participated in the civil rights movement, making a 1963 trip to a large NAACP rally in the South with his good friend Lena Horne. When Ellington was honored at the White House on his 70th birthday in 1969, he read Billy’s four articles of moral freedom to the embarrassment of President Nixon.

Strayhorn continued to write while hospitalized and turned out “UMMG” and a work which Ellington recorded as “Blood Count” in his 1967 tribute album to Strayhorn, And His Mother Called Him Bill.

- Sandra Burlingame


Lush Life

Billy Strayhorn


The Peaceful Side

Billy Strayhorn



Piano Passion

Billy Strayhorn



A Proper Introduction to Billy Strayhorn: Passion

Billy Strayhorn



And His Mother Called Him Bill

Duke Ellington



Lush Life: The Music of Billy Strayhorn

Joe Henderson



Johnny Hodges with Billy Strayhorn and the Orchestra

Johnny Hodges



Something to Live for: The Music of Billy Strayhorn

Art Farmer



Something to Live For: A Billy Strayhorn Songbook

John Hicks



Something to Live For

Ella Fitzgerald



Plays the Music of Billy Strayhorn

Marian McPartland



Portrait of a Silk Thread: Newly Discovered Works of Billy Strayhorn

The Dutch Jazz Orchestra



Piano Duets: Great Times

Duke Ellington and Billy Strayhorn



Lush Life: The Billy Strayhorn Songbook

Ben Webster
Reading and Viewing

At Amazon.com you can often buy used for a fraction of the new price


David Hajdu

Lush Life: A Biography of Billy Strayhorn

North Point Press


Walter Van De Leur

Something to Live for: The Music of Billy Strayhorn

Oxford University Press


Billy Strayhorn

Billy Strayhorn: An American Master

Cherry Lane Music


Various

Down Beat: Sixty Years of Jazz

Hal Leonard Corporation


Bryan Hanna (II), Ellsworth Hanna, Jeff Goldblum

Lush Life / TV Movie

Sony Pictures

VHS

Copyright 2008 - JazzBiographies.com - All Rights Reserved          Permission and contact information